Marvin Pierre is Executive Director of Eight Million Stories, Inc., a nonprofit founded in 2017 to support disconnected youth in Houston, Texas. Building upon the success of Eight Million Stories, he is founding a new school in Houston’s Third Ward. Marvin chose Jill B Gilbert to create a brand for The Justice Hub School that is attractive, edgy and has an urban feel. This project also included development of a brand guidelines document that will grow with the organization.
Your website is an important part of your organization’s identity. A well-designed website reflects well on your organization, and a poorly-designed website can damage your reputation. I know this is hard, but spend time planning your website before you build it. Understand your audience and design your site accordingly. Make the site attractive and easy to navigate.
Whether you plan to redesign your website or are in the enviable position of designing a new website from scratch, take the time to find answers to the following questions to set your website project up for success. You will be glad you did!
Granted, 30 questions is a lot to answer—but take the time to find answers to every question if you want a website that addresses the needs of your audience and yields business results. If you are not sure how to proceed with your website design and build, please consult a professional that understands the technical, marketing, and business aspects of website creation. You will be glad you did!
“Jill was wonderful to work with. She responded positively to our initial feedback on a design and came back with an update that accurately met our needs and vision while incorporating her professional expertise in PowerPoint and graphic design. She is prompt, communicates efficiently, and pushed the project along at times when I felt overwhelmed. We now have a well designed, branded, and functional PowerPoint presentation that will bring cohesiveness to all our presentations. Thank you Jill!”
–Callie Sacarelos, Communications and Marketing Manager, Mississippi Park Connection
A brand is how your customer or audience views your business. A brand includes your organization’s brand identity—a logo and other assets used to convey your message; a brand strategy or blueprint; and brand marketing to spread your message via different digital, print, and word-of-mouth channels.
If you need a new logo, you can work with an in-house graphic designer or hire a freelancer. Follow the eight tips below for a greater chance of success.
Why do you need a new brand? If you are just starting out, you may want to brand your products or services. Maybe you are launching a new product or service within an existing company. Perhaps you have a brand, but feel it is outdated, or it no longer reflects your organization’s mission, vision, and values. Do a majority of stakeholders share this need?
What do you want to accomplish with your new brand? What benefits do you expect, for example, the ability to reach larger audiences via new digital and print channels, greater market share, easier brand recognition, or other?
A brand is how your customer or audience views your business. A brand includes your organization’s brand identity—a logo and other assets used to convey your message; a brand strategy or blueprint; and brand marketing to spread your message via different digital, print, and word-of-mouth channels.
Do your homework before working with the graphic designer. With graphic design projects, it’s easy to express what you don’t like, but not always so easy to express what you do like, and what you really need. Talk with your stakeholders to get a feel for their needs, wants, style, and color preferences. Do a little research and find 3-5 examples of brands that inspire you; be prepared to talk with the designer about how similar aesthetics might work for your organization.
Creating a brand is a project that should follow a process. This process typically includes the following steps:
The designer should set expectations upfront regarding the project schedule and specific deliverables, such as the number of concepts and rounds of revisions.
You will use your brand in digital and print formats, maybe on signage, T-shirts, and more. Apply your brand consistently in multiple applications such as full color, all black on light backgrounds, and all white on dark backgrounds. Make sure that your brand looks great and reads well in different sizes, from an inch or two on a business card or letterhead, to a 12-foot banner at a trade show. You might need a horizontal layout on your web page or a large banner, a vertical layout on stationery and business cards, and an icon only for a website favicon.
If you do not have Brand Guidelines or a Visual Standards Guide, this is a good time to create one. Such a guidelines describe your organization’s official colors for print and web materials; your official logo/brand layouts and color combinations; logo/brand placement; and typography for web and other marketing communications. A brand–even when it consists only of letters or words–is artwork that must not be altered in any way, such as changing the aspect ratio, colors, or typography. Make sure that your staff is aware of the standards and their use.
A brand is one of your organization’s assets and becomes more valuable as it becomes widely used and recognized in the marketplace. Protect your brand like the valuable asset it is—stick to your Brand Guidelines/Visual Standards Guide—always! Add a trademark (™) or service mark (SM) symbol to your brand, and apply for registered trademark status (®) as appropriate.
Jill B Gilbert is pleased to be selected to refresh the logo and create a visual brand guide for BHK Child Development, Inc. This early childhood care and education non-profit serves three rural counties in the Upper Peninsula of Michigan.
The new BHK logo incorporates a tree to symbolize children and growth and to reflect the natural surroundings in which many of the non-profit’s programs take place. The new color palette includes soothing blues and greens with dark gray.
When Eric and Nancy Raup needed a brand for Eric’s craft furniture and decor business, they immediately thought of Jill B Gilbert.
After identifying Komolova Log Works’ needs, Jill created three design concepts. After further discussions and iterations, Komolova revealed that they wanted to include an owl.
Here is the result—a playful owl standing on a tree branch. The logo, tag line, and color palette work together to communicate the brand, as well as the rustic setting for the business.
Last week, one of my French friends sent me a link to a PowerPoint presentation on the hidden meaning behind several corporate logos. I knew about the hidden arrow in the FedEx logo; the smiley face and lowercase letter “g” in the Goodwill logo; the smile and arrow from A to Z in the Amazon logo; and the hidden number 31 in the Baskin-Robbins logo. I know enough French to translate the captions on the slides.
Today, I came across an English version in a blog post by Onextrapixel. It is a pleasant and quick read. The biggest surprise is the meaning of Toyota’s oval icon—it combines strokes for each of the English letters in the company name!
Another favorite is Le Tour de France brand. The letter “R” depicts a bicycle rider and the letter “O” and the yellow circle represent two bicycle wheels and the sun; the ride takes place only during daylight hours.
Both of these brands have stood the test of time—they are crisp and memorable. Their hidden meanings make them more interesting.
A Fast Company Design article relates how Steve Jobs worked with legendary designer Paul Rand to develop a logo for NeXT Computer.
Whether you have millions of dollars or a more modest marketing budget, the takeaways ring true.
The Envato blog had an interesting post about the stories behind Paul Rand’s logo designs.
Born in Brooklyn in 1914, Paul Rand is responsible for some of the most iconic brand identities, including IBM, ABC, Westinghouse, UPS and Next Computer. Though he studied art at Pratt Institute, he claimed that he was self-taught. He was inspired by European commercial arts journals and European modern artists and started his career creating magazine spreads. Soon he created magazine covers, notably for Esquire. At 27, he headed an ad agency, incorporating art into what, in the past, was mostly copy.
By the 1950s Rand moved on to logo work. And the rest is history, as they say.
Good design is good business” —Thomas Watson Jr., IBM
You can see some of the famous work here.
Paul Rand designed the IBM trademark, the Westinghouse “W,” the marks for American Broadcasting Company (ABC), UPS, Esquire Magazine, Harcourt-Brace and other memorable trademarks. A recent post on logodesignlove discussed a 1971/72 article by Stanley Mason on how Rand presented his work to clients. Long before the days of digital graphic arts, Rand created short-run offset print publications to present to his clients. Paul Rand avoided flashy presentations and let the work speak for itself, presenting booklets to the top decision-making executives. This was pure genius, as these printed materials helped cement the designs as finished products.
In the article, Mason wrote that the trademark “should be distinctive, memorable, and reflect in some way, however abstractly, the nature of the product or service it represents.” Rand’s rebranding of IBM added eight horizontal stripes and a brilliant blue to the previous trademark. This added movement and color made the mark more dynamic and memorable. It remains strong today.
The ABC logo is simple and understated, yet everyone remembers it. Image: Wikimedia Commons
The NeXT computer logo may not be as memorable since the company disappeared. Image: Wikimedia Commons
You can read more and download the Mason article here.