The Envato blog had an interesting post about the stories behind Paul Rand’s logo designs.
Born in Brooklyn in 1914, Paul Rand is responsible for some of the most iconic brand identities, including IBM, ABC, Westinghouse, UPS and Next Computer. Though he studied art at Pratt Institute, he claimed that he was self-taught. He was inspired by European commercial arts journals and European modern artists and started his career creating magazine spreads. Soon he created magazine covers, notably for Esquire. At 27, he headed an ad agency, incorporating art into what, in the past, was mostly copy.
By the 1950s Rand moved on to logo work. And the rest is history, as they say.
Paul Rand’s IBM Logo Design (Credit: Wikimedia Commons)
Good design is good business” —Thomas Watson Jr., IBM
Paul Rand designed the IBM trademark, the Westinghouse “W,” the marks for American Broadcasting Company (ABC), UPS, Esquire Magazine, Harcourt-Brace and other memorable trademarks. A recent post on logodesignlove discussed a 1971/72 article by Stanley Mason on how Rand presented his work to clients. Long before the days of digital graphic arts, Rand created short-run offset print publications to present to his clients. Paul Rand avoided flashy presentations and let the work speak for itself, presenting booklets to the top decision-making executives. This was pure genius, as these printed materials helped cement the designs as finished products.
IBM Logo | Image: Wikimedia Commons
In the article, Mason wrote that the trademark “should be distinctive, memorable, and reflect in some way, however abstractly, the nature of the product or service it represents.” Rand’s rebranding of IBM added eight horizontal stripes and a brilliant blue to the previous trademark. This added movement and color made the mark more dynamic and memorable. It remains strong today.
The ABC logo is simple and understated, yet everyone remembers it. Image: Wikimedia Commons
The NeXT computer logo may not be as memorable since the company disappeared. Image: Wikimedia Commons
You can read more and download the Mason article here.
As a consultant, it is interesting to see if prospective clients want a “second set of hands” or if they want advice to help them address a business need. In my past life as a management consultant in the software business, I sought the second type of assignment. The more problem-solving, the better.
In my role as a freelance creative professional, I still seek, and truly enjoy, “value-added” assignments where I can solve problems. I am still a consultant. The difference is, now I have lots of business and marketing expertise plus I have an eye for, and possess, Web and graphic design skills.
Image credit: Freepik
A beginning consultant brings skills, an experienced consultant brings value.”
Web design guru Jeffrey Zeldman says that an experienced consultant brings value. To survive as an independent consultant at any age, and to remain meaningful in the digital design world, you must bring something different to the table. You must bring value.
Whether you are developing a 50-page Website, a small mobile phone app or an annual report for a corporate client, you should get in the habit of developing a style guide.
More and more big companies commission their own typefaces, rather than relying upon the thousands of fonts readily available for marketing their goods and services.
Recent, notable bespoke typefaces
2018
This month, The Coca-Cola Company (TCCC) introduced its bespoke Unity font. Depending on who you ask, some designers love it, and others hate it. Coca-Cola has used a script logotype for decades, and a while back introduced a serif font with the word, “Coke.” Unity is a departure; it is a sans-serif typeface family with several weights.
Coca-Cola’s Unity Typeface
2017
In 2017, IBM rolled out its bespoke typeface families, named Plex, and YouTube introduced YouTube Sans.
IBM Plex Typeface Family
YouTube Sans Typeface Family
2016
In 2016, Apple introduced San Francisco typefaces at its Worldwide Developer Conference. These fonts were inspired by Helvetica, and were developed for ease of reading on small screens like the Apple Watch and iPhone, as well as on iPads and Mac computers. The same year, CNN introduced CNN Sans—also modeled on Helvetica.
Apple’s San Francisco Typeface FamilyCNN Sans Typeface Family
2015
In 2015, Google rebranded its famous “G” using a proprietary font called Product Sans. Product Sans closely resembles the Futura typeface. Google rolled out Roboto In 2013 for the Android OS. Also in 2013, Mozilla rolled out typefaces for its Firefox OS, called Fira Sans and Fira Mono.
Google Logo, 2015Roboto TypefaceMozilla’s Fira Sans Typeface Family
Why use a bespoke typeface?
It’s all about branding. We are bombarded by thousands of advertisements each day on smartphones, tablets and computers. We see an ad for a fraction of a second before engaging with the brand or discarding the ad. According to Envato, having a recognizable logo is not enough. Companies must stand out from the competition using logos, colors, copy and typography. This is where custom typefaces come in.
Branding requires notable logos, colors, copy and typography. “Bespoke fonts offer brands more control over their identity, and in some cases can even save them money in the long run.”
–Envato
Will bespoke typefaces put an end to Helvetica?
Helvetica (Neue Haas Grotesk) was developed in 1957 by Swiss typographer Max Miedinger and became the de facto standard of international typeface design in the mid-20th Century. It remains popular today—Helvetica Neue is the default Mac font—because it is both readable and legible at many different sizes and weights.
Helvetica is not going away anytime soon. It is still the favorite of many designers because of its versatility and simplicity. Just make room for the new, bespoke typefaces to coexist with Helvetica.
Blue is the favorite color on the Internet. It is like a chameleon, with many hues and many personalities. Blue can convey professionalism, it can be warm and inviting, exciting, or cold and scientific.
Branding and style guides are important for projects large and small. They help to convey consistent messages and provide an insight into the organization.
I will illustrate my Thanksgiving dinner menu, as I have done for many years, but this year I have Ninja Illustrator and Photoshop skills. Will it be comic book style, chalkboard style, or vintage style, or a mashup?
If you have ever designed a Web site, an app or a software User Interface (UX), then you know that it is part art, and part science. Since the UX helps users solve certain problems, get the right people involved and keep them engaged throughout the process. It usually takes several iterations to distill the UX to its end design.
