On April 20, San Jacinto College Vice-Chancellor Laurel Williamson, QEP Director Ann Pearson, and the QEP Committee announced that it selected Jill B Gilbert’s design to represent the program for the next five years (see the announcement here). The college’s Quality Enhancement Plan (QEP), Thinking and Beyond, promotes student success through critical thinking.
Gilbert’s design addresses the “right brain” creative and “left brain” logical aspects of critical thinking, as well as the San Jacinto Monument, topped by a star, and a USB connector to symbolize how students are always plugged in—the connection between critical thinking and technology.
Viewed another way, the symbol depicts a launched rocket, shooting for the stars, with puffs of exhaust parting as the rocket travels upward. This is an homage to Houston, aka the Space City; Jill’s Dad, a rocket scientist, and her little brother who followed in his Dad’s footsteps.
The Envato blog had an interesting post about the stories behind Paul Rand’s logo designs.
Born in Brooklyn in 1914, Paul Rand is responsible for some of the most iconic brand identities, including IBM, ABC, Westinghouse, UPS and Next Computer. Though he studied art at Pratt Institute, he claimed that he was self-taught. He was inspired by European commercial arts journals and European modern artists and started his career creating magazine spreads. Soon he created magazine covers, notably for Esquire. At 27, he headed an ad agency, incorporating art into what, in the past, was mostly copy.
By the 1950s Rand moved on to logo work. And the rest is history, as they say.
Paul Rand’s IBM Logo Design (Credit: Wikimedia Commons)
Good design is good business” —Thomas Watson Jr., IBM
Whether you are developing a 50-page Website, a small mobile phone app, or an annual report for a corporate client, you should get in the habit of developing a style guide.
Branding and style guides are important for projects large and small. They help to provide consistent messages about an organization and provide a degree of professionalism. Creative Bloq has a good post on this topic, with examples of thirteen style guides for famous organizations.
Client project style guide
The client’s goal was to refresh their brand and their Web site to draw more customers to their wellness practice and retail establishment. I prepared a simple style guide, using Adobe Illustrator. The Style Guide displays the brand, color chips for main and accent colors, typography and usage examples:
Style Guide | Nature’s Garden
Here is how the styles look when applied to a “mobile first” Website design. Note how the colors and the leaf motif are repeated throughout the page. The design works well on a smartphone, on a tablet or on a large HD screen.
Mobile View | Nature’s GardenResponsive Home Page on large HD monitor
University style guide
On a whim, I researched my alma mater’s color and brand guidelines. The Miami University was established in 1809 by a charter signed by George Washington and has a long-standing with the Miami Indians in southwestern Ohio.
It was interesting to find that The Miami University uses different reds for print, online and merchandise. And there are lots of formal and informal logos in different styles and sizes for print, Web and merchandise use. Certain “vintage” logos require special permission from the University,
Here is the “M” spirit mark often used on sportswear and signs.
The Miami University Spirit Mark
The branding guidelines also link to the school’s Web standards. These standards cover fonts, graphic elements, headers, footers, etc. It was interesting to see the fonts used; Adelle, Gotham, Promesh and Adobe Bembo. The Promesh font is new to me and it works well for athletic wear and athletic posters. You can download Promesh One and Promesh Two here.
More and more big companies commission their own typefaces, rather than relying upon the thousands of fonts readily available for marketing their goods and services.
Recent, notable bespoke typefaces
2018
This month, The Coca-Cola Company (TCCC) introduced its bespoke Unity font. Depending on who you ask, some designers love it, and others hate it. Coca-Cola has used a script logotype for decades, and a while back introduced a serif font with the word, “Coke.” Unity is a departure; it is a sans-serif typeface family with several weights.
Coca-Cola’s Unity Typeface
2017
In 2017, IBM rolled out its bespoke typeface families, named Plex, and YouTube introduced YouTube Sans.
IBM Plex Typeface Family
YouTube Sans Typeface Family
2016
In 2016, Apple introduced San Francisco typefaces at its Worldwide Developer Conference. These fonts were inspired by Helvetica, and were developed for ease of reading on small screens like the Apple Watch and iPhone, as well as on iPads and Mac computers. The same year, CNN introduced CNN Sans—also modeled on Helvetica.
Apple’s San Francisco Typeface FamilyCNN Sans Typeface Family
2015
In 2015, Google rebranded its famous “G” using a proprietary font called Product Sans. Product Sans closely resembles the Futura typeface. Google rolled out Roboto In 2013 for the Android OS. Also in 2013, Mozilla rolled out typefaces for its Firefox OS, called Fira Sans and Fira Mono.
Google Logo, 2015Roboto TypefaceMozilla’s Fira Sans Typeface Family
Why use a bespoke typeface?
It’s all about branding. We are bombarded by thousands of advertisements each day on smartphones, tablets and computers. We see an ad for a fraction of a second before engaging with the brand or discarding the ad. According to Envato, having a recognizable logo is not enough. Companies must stand out from the competition using logos, colors, copy and typography. This is where custom typefaces come in.
Branding requires notable logos, colors, copy and typography. “Bespoke fonts offer brands more control over their identity, and in some cases can even save them money in the long run.”
–Envato
Will bespoke typefaces put an end to Helvetica?
Helvetica (Neue Haas Grotesk) was developed in 1957 by Swiss typographer Max Miedinger and became the de facto standard of international typeface design in the mid-20th Century. It remains popular today—Helvetica Neue is the default Mac font—because it is both readable and legible at many different sizes and weights.
Helvetica is not going away anytime soon. It is still the favorite of many designers because of its versatility and simplicity. Just make room for the new, bespoke typefaces to coexist with Helvetica.
Branding and style guides are important for projects large and small. They help to convey consistent messages about an organization and provide an insight into the organization. Creative Bloq posted examples of thirteen style guides for well-known organizations, from Adobe and Apple to Firefox and Urban Outfitters.
Case study
I attended The Miami University in Oxford, Ohio—established by a charter signed by George Washington and founded in 1809—not the much newer school in Florida. I researched my alma mater’s brand guidelines and found that Miami uses different reds for print, online and merchandise. The Web site provides guidelines and downloads of formal and informal logos in different styles and sizes for print, Web and merchandise use. Certain “vintage” logos require special permission from the University.
Here are examples of school “marks.” The formal signature is used on official stationery and for formal publications; this is one of several. Informal signatures are used for merchandising, sports, and other purposes.
The Miami University Formal Signature
The Miami University Informal Signature
The Miami University Spirit Mark
Miami’s branding guidelines also provide links to Web standards. It was interesting to see the fonts used. I learned about a new font, Promesh, which looks good on athletic wear and athletic posters. You can download Promesh One and Promesh Two here.
Our client runs a small business and wants to draw in more customers. An updated Web site will help them to market the business. Our team’s design goals were to develop a fresh look and to bring the site up to current HTML and CSS standards. This included making the new site responsive, so users can access it from a desktop, tablet or smartphone.
The first step was to meet with the Client to understand their needs and business requirements. The second step was to develop a site structure with the key pages and elements. The third step was to prepare designs.
Typography first, color second
We presented our Client with three different Web designs, both desktop and mobile mockups. The Client was neutral during the presentation and did not seem to favor one design over another. Later, when they provided feedback to the project manager, the Client was interested in typography first, colors second, and hardly mentioned other design elements.
Typography can make or break a Web site
It was interesting that many of the changes to get our client site “ready for prime time” involved typography and Gestalt principles. Typography and Gestalt can make a site a success or a disaster. Typefaces
must fit the organization’s image to convey the intended message and purpose of the Website
must be legible and readable
should be limited to two or three
should be styled differently to provide emphasis and to separate thoughts.
I subscribed to an Invision course, Designing with Type. The objectives are to teach basic type terms, the mechanics of font pairings, how to use type on a grid, and more. This knowledge will help me to be a better designer of both Web sites and other graphic communications.
